Artist: Youth Group: mp3 download

   Genre(s): 
Pop

Youth Group’s discography:

   
 Casino Twilight Dogs
   Year: 2006   
Tracks: 12

   
Artist: Sparks: mp3 download

   Genre(s): 
Rock: Punk-Rock
New Age
Rock

Sparks’s discography:

   
 Sparks
   Year: 2006   
Tracks: 11
   
 Big Beat
   Year: 2006   
Tracks: 13
   
 A Woofer in Tweeter’s Clothing
   Year: 2006   
Tracks: 11
   
 Lil’ Beethoven
   Year: 2003   
Tracks: 9
   
 Balls
   Year: 2000   
Tracks: 11
   
 No. 1 in Heaven
   Year: 1999   
Tracks: 6
   
 Angst in My Pants
   Year: 1999   
Tracks: 11
   
 Whomp That Sucker
   Year: 1998   
Tracks: 10
   
 Terminal Jive
   Year: 1998   
Tracks: 8
   
 Pulling Rabbits Out of a Hat
   Year: 1998   
Tracks: 11
   
 Plagiarism
   Year: 1998   
Tracks: 19
   
 In Outer Space
   Year: 1998   
Tracks: 10
   
 Propaganda
   Year: 1994   
Tracks: 13
   
 Kimono My House
   Year: 1994   
Tracks: 12
   
 Indiscreet
   Year: 1994   
Tracks: 16
   
 Gratuitous Sax and Senseless Violins
   Year: 1994   
Tracks: 11
   
 The Heaven Collection
   Year: 1993   
Tracks: 18
   
 The Best of Sparks: Music That You Can Dance To
   Year: 1990   
Tracks: 8
   
 Interior Design
   Year: 1990   
Tracks: 15
   
 Just Got Back From Heaven
   Year: 1988   
Tracks: 10
   
 Halfnelson
   Year: 1973   
Tracks: 11

Halfnelson soon came to the care of Todd Rundgren, world Health Organization helped land the group a press with Bearsville and produced their self-titled 1971 debut. Their way-out, facetiously art pop failed to find an audience, however, and their managing director successfully convinced the Maels to change the group’s name. After becoming Sparks, they near reached the Hot one C with the unmarried “Wonder Girl,” and 1972’s sublimely gonzo A Woofer in Tweeter’s Clothing cemented the band’s cult condition, marking some other near-hit with “Young woman from Germany.”

While touring the U.K., Sparks were warmly received by the British music press, and ultimately, the Mael brothers relocated to London, departure the rest of the band behind; Earle Mankey after became a noted manufacturer, piece Jim later coupled Concrete Blonde. In need of a new support unit, the Maels placed an ad in Melody Maker, and with guitarist Adrian Fisher, bassist Martin Gordon, and drummer Norman “Dinky” Diamond hard in place, they recorded 1974’s glam-bubblegum piece of music Kimono My House, which reached the Top Five of the U.K. album charts and spawned deuce major British hits, “This Town Ain’t Big Enough for the Both of Us” and “Amateur Hour.”

With new guitarist Trevor White and bassist Ian Hampton, Sparks returned later that year with Propaganda, some other U.K. smash that scored with the hits “Never Turn Your Back on Mother Earth” and “Something for the Girl with Everything.” Overblown production from Tony Visconti derailed 1975’s Indiscreet, however, and when the record fared less successfully than its predecessors, the Maels returned to the U.S., where they recruited Tuff Darts guitarist Jeff Salen, sometime Milk & Cookies bassist Sal Maida, and drummer Hilly Michaels for 1976’s Great Beat.

By 1977’s ironic Introducing Sparks, recorded with a series of Los Angeles school term players, the Mael brothers were treading water, so they enlisted disco manufacturer Giorgio Moroder to helm 1979’s synth-powered dance-pop confection No. 1 in Heaven, which spurred the grouping to renewed success in England on the speciality of the strike singles “The Number One Song in Heaven,” “Quiver the Clock,” and “Tryouts for the Human Race.” Moroder’s sidekick Harold Faltermeyer took the production reins for the immediate follow-up, Terminal Jive, which scored a monumental French gain with “When I’m with You.”

Sparks left disco music in the dust with 1981’s Whomp That Sucker, recorded in Munich with a unexampled supporting band comprised of guitarist Bob Haag, bassist Leslie Bohem, and drummer David Kendrick (wHO also played in concert as the Gleaming Spires). After 1982’s Angst in My Pants, they recorded 1983’s Sparks in Outer Space; the marvelous “Cool Places,” a span with the Go-Go’s Jane Wiedlin, nigh reached the U.S. Top 40, and was the band’s biggest gain.

The disastrous 1984 LP Pulling Rabbits Out of a Hat derailed whatsoever chart momentum the band had collected at home, however, and after 1986’s self-explanatory Music That You Can Dance To, Sparks — once again reduced to the core duet of Ron and Russell — recorded 1988’s Interior Design, which was followed by a recollective reprieve. Outside of composing the music for a film by Hong Kong action master Tsui Hark, Sparks remained still until Gratuitous Sax and Senseless Violins, released in 1994. Plagiarism followed quaternity years later. With 2000’s Balls, the band ushered in a more than productive earned run average, cathartic Lil’ Beethoven in 2002 and Howdy Young Lovers in 2006.

Ratones Paranoicos < < Download now!

Argentinean Latin rock band Ratones Paranoicos was formed in 1984, and was largely influenced by the Rolling Stones. Singer Juan Sebastian Gutiérrez, guitarist Pablo Cano, bassist Pablo Memi, and drummer Rubén Quiroga recorded their first record album in 1986 afterward sign language up to an independent deutschmark called Umbral. Two retentive time by and by, Los Chicos Quieren Rock was released. Ratones Paranoicos’ song dynasty “Rock del Gato,” included in 1989’s Furtivos, became their low-toned hit. A year later on, the band signed to Sony, cathartic Tomalo o Dejalo, 1991’s Fieras Lunaticas produced by Andrew Oldham, and 1992’s La Nave. In November of 1992, Ratones Paranoicos opened for Keith Richards at the Coca Cola Rock Festival and later for Guns N’ Roses. Former Rolling Stones appendage Mick Taylor was invited to run with the band patch recording Hecho en Memphis, released in 1993, followed by 1994’s Extasis Vivo. In February of 1995, Ratones Paranoicos opened five-spot Rolling Stones’ shows in Argentina — one of their major achievements.

   
Artist: Black Lips: mp3 download

   Genre(s): 
Rock: Punk-Rock
Rock
ROck: Alternative

Discography:

   
 Los Valientes Del Mondo Nuevo
   Year: 2007   
Tracks: 12
   
 Let it Bloom
   Year: 2005   
Tracks: 16
   
 We Did Not Know The Forest Spirit Made The Flowers Grow
   Year: 2004   
Tracks: 12
   
 Black Lips!
   Year: 2003   
Tracks: 14

   
Artist: Peter Criss: mp3 download

   Genre(s): 
Metal: Heavy

Discography:

   
 Criss Cat #1
   Year: 1994   
Tracks: 11
   
 Out Of Control
   Year: 1980   
Tracks: 10

The partner off turned out to be none other than Paul Stanley and Gene Simmons (then known as Stanley Eisen and Gene Klein, respectively), wHO were in the thick of putt a new mathematical group together that would be a reaction against all the then-prevalent drilling hipster bands. Criscoula got the gig, before long later changing his list to Peter Criss. After the trio enlisted guitar player Ace Frehley, the quadruplet in agreement on the name Kiss and specialized in high-volume stone, merely with a strong melodic edge (good manners of Simmons and Stanley’s admiration of the Beatles). It was too in agreement that the bandmembers would prefer a “character” and weary make-up and costumes relating to their option; Criss selected a cat.

Later sign language with Casablanca Records in 1973, Kiss rocketed to stardom in 1975 with their classical Live! release — decorous 1 of the nigh popular and instantly recognisable hard rock acts of all fourth dimension. When Kiss was recording their review to Live!, 1976’s Destroyer, Criss dug up an old song he’d written with one of his premature bands, a devout ballad called “Beck.” After changing the title to “Beth,” and an orchestral accompaniment was localize to the lyrics, the sung dynasty became a surprise Top Ten smash for the dance band. Later in the class, it was Criss’ Rod Stewart-esque lead vocals that landed the Paul Stanley-penned acoustic “Hard Luck Woman” into the Top 20 as well.

Merely disdain Kiss’ wild success, non all was well behind the scenes. Criss admitted in later years that he “O.D.’d on celebrity” and developed a drug problem in the process, leading to a life-threatening car crash in 1978 and unpredictable behaviour. It was that same year that all quaternary members released solo albums, as Criss’ disco-laced release hinted that he was moving off from Kiss’ familiar hard rock sound. Criss left Kiss in 1980 amid rumors of a breakup swirling (it became known in later years that Criss didn’t playact on to the highest degree of 1979’s Dynasty and non even a note of hand on 1980’s Unmasked, despite being credited on both). Criss automatically launched a solo life history with such releases as 1980’s Taboo of Control and 1982’s Let Me Rock You, merely fans were reluctant to embrace Criss’ new, grow indulgent stone sound (also the fact that Kiss themselves were experiencing a nosedive in popularity). Criss attempted to resurface with other bands end-to-end the rest of the ’80s (such as the Alliance and Balls of Fire, both of which didn’t outcome any recordings), simply didn’t outlet some other record album until 1994’s independent Criss Cat #1. On a humourous musical note, Criss appeared on an episode of Phil Donahue in the late ’80s when an sham appeared on the establish pretence to be Peter Criss, claiming he was hard up and homeless person.

A year later, Kiss fans got their wish when Criss and Frehley (wHO himself had left the band 2 days after Criss’ way out) reunited with Stanley and Simmons for a tape of MTV’s Unplugged. The concert was a success, which lED to a lasting re-formation of the original little Joe bandmembers. This resulted in 1996-1997’s extremely successful Alive Worldwide Tour and their number one original album in nigh 20 days, 1998’s Psycho Circus (despite the fact that it wasn’t Frehley and Criss playing on the total album). But once once again, turmoil lurked right-hand about the corner. After the U.S. branch of Kiss’ Farewell Tour cloaked up in recent 2000, Criss supposedly had a falling out with Simmons and Stanley over his remuneration, resulting in his minute ousting from the band. To add contumely to accidental injury, the grouping continued their tour with early-’90s Kiss drummer Eric Singer taking Criss’ pip in arrears the drums and donning his cat make-up and costume. Criss began pursuing an playing life history, landing a section on the HBO prison house serial publication Oz in early 2002. The ambitious and biographical album Unitary for All appeared in 2007.

   
Artist: Ronan Hardiman: mp3 download

   Genre(s): 
New Age
Rock

Ronan Hardiman’s discography:

   
 Michael Flatley’s Riverdance Ii
   Year: 2001   
Tracks: 19
   
 Riverdance II
   Year: 2000   
Tracks: 19
   
 Lord of The Dance
   Year: 2000   
Tracks: 17
   
 Anthem
   Year: 2000   
Tracks: 10
   
 Solas
   Year: 1998   
Tracks: 11
   
 Michael Flatley’s Feet Of Flames
   Year: 1998   
Tracks: 11
   
 Michael Flatley’s Lord Of The Dance
   Year: 1996   
Tracks: 9

During the next few years, Hardiman composed for Coca-Cola and Guinness and gained his reputation as Ireland’s best contemporaneous composer. He was approached by Michael Flatley, creator of Riverdance, to compile the mark to the raw output Lord of the Dance. Thanks in magnanimous contribution to the success of the output, Hardiman gained a recording contract through Philips and released his debut album, Solas, in early 1998.